bbc radio 3 frequency

 

[8]:251 Curran had earlier dismissed any suggestion that Radio 3's small audience was a consideration: "What is decisive is whether there is a worthwhile audience, and I mean by worthwhile an audience which will get an enormous satisfaction out of it. BBC Radio 3 archive - Podcast. [8]:251 However, the Director-General, Charles Curran, publicly denied this as "quite contradictory to the aim of the BBC, which is to provide a comprehensive radio service". The document stated that Radio 3 was to have "a larger output of standard classical music" but with "some element in the evening of cultural speech programmes – poetry, plays". Later described in 2002 by Jenny Abramsky, Head of Radio and Music, as "the most controversial document ever produced by radio",[9] the document outlined each station's target audience and what content should be broadcast on each channel. [11] However, Radio 3 controller Howard Newby reassured these concerns by replying that only the coverage of political and economic affairs would be passed to Radio 4: Radio 3 would keep drama, poetry, and talks by scientists, philosophers and historians. BBC Radio 3 is one of the best performers, achieving 160-192 kbps, while most others are in the 80-128 kbps range. [1] The station describes itself as 'the world's most significant commissioner of new music',[2][3] and through its New Generation Artists scheme promotes young musicians of all nationalities. The second controller, Stephen Hearst who assumed the role in 1972, was different. Feedback about Radio 3 Frequency Change, BBC Radio 3, 8.55, 22 November 1978. The same year an internal paper recommended the disbandment of several of the BBC's orchestras and of the Music Division, resulting in low morale and industrial action by musicians that delayed the start of the Proms. [8]:253 Equally, questions were being asked by the poet Peter Porter about whether other spoken content, for example poetry, would remain on the station. "[8]:328–329, Drummond's successor was Nicholas Kenyon, previously chief music critic of The Observer, who took over in February 1992 and was immediately faced with the looming launch date for commercial competitor Classic FM who were, and still remain, Radio 3's biggest rivals. [citation needed] A similar technique was later used for recording at the same rate. BBC Radio 3 is a national BBC radio service based in London best known for music programs, especially jazz and world music. [4] The station broadcasts the BBC Proms concerts, live and in full, each summer in addition to performances by the BBC Orchestras and Singers. It currently has three regular presenters: Catriona Young, John Shea and Jonathan Swain. [46] During weekdays the 1 pm, 5 pm and 6 pm news bulletins are read by a member of the Radio 4 presentation team. As a result, the corporation had to reduce its costs. On its FM frequencies, the station uses less dynamic range compression of the volume of music than rival station Classic FM. Here’s a summary of how you can listen to BBC Radio 4: AM radio: LW on 198 kHz and MW on 603, 720, 756, 774, 1449 and 1485 kHz so try each in turn to see which gives the best reception. 1960s. Pied Piper was a children's programme, presented by early music specialist, David Munrow, with the sub-title Tales and Music for Younger Listeners[8]:265 and ran from August 1971 until 1976. Controller Nicholas Kenyon summed up the perennial problem of Radio 3 as "the tension between highbrow culture and popular appeal …the cost of what we do and the number of people who make use of it":[8]:364 elitism versus populism (or 'dumbing down') and the question of cost per listener. [55] On occasion, it broadcasts Choral Vespers from Catholic cathedrals, (such as Westminster Cathedral), Orthodox Vespers, or a recorded service from choral foundations abroad. Use the arrow keys to forward and rewind. [8]:342, These moves were defended by Kenyon who argued that the changes were not "some ghastly descent into populism" but were instead to create "access points" for new listeners. Soon after his appointment some changes were made to showcase a wider variety of music; a new, relaxed, late-night music programme Late Junction featured a wide variety of genres; programmes focusing on jazz and world music were given a higher profile as were programmes presented by Brian Kay, focusing on light music, and Andy Kershaw, whose show was previously dropped by Radio 1. Drummond also introduced the show Mixing It which targeted the music genres that fell between Radios 1 and 3, often seen as a precursor to the programme Late Junction. Kenyon's tenure was to meet with much controversy: in attempts to update the station's presentation, popular announcers Malcolm Ruthven, Peter Barker and Tony Scotland were axed as well as drama being cut by a quarter, resulting in a letter of protest to The Times signed by Harold Pinter, Tom Stoppard and Fay Weldon among others;[8]:342 two new programmes for drive time, entitled On Air and In Tune, were launched[8]:341 and a new three-hour programme of popular classics on Sunday mornings fronted by Brian Kay was also launched. In 1969, two hundred members of the BBC staff protested to the director general at changes which would 'emasculate' Radio 3, while managing director of radio Ian Trethowan described the station in a memorandum as "a private playground for elitists to indulge in cerebral masturbation". 1970. From Monday 30 March 2020 until Sunday 12 July 2020 due to the Coronavirus, the Radio 3 bespoke bulletins were replaced by network news bulletins from BBC Radio 2. As Hearst had previously been head of television arts features[15] his appointment was seen with scepticism among the staff who viewed him as a populariser. Both won awards. [60] The composer listeners chose was Louise Farrenc.[61]. They’re 3-5 seconds delayed on digital and even longer through the internet. 1970s. It replaced Third Programme. BBC Radio 4 198 LW 92-95 FM Spoken-word programming. [8]:341 However, there was still "widespread disbelief"[8]:357 when it was announced in the summer that a new morning programme would take the 9 am spot from the revered Composer of the Week and would be presented by a signing from Classic FM – the disc jockey Paul Gambaccini. 1967. In September 2010, for the final week of the Proms broadcasts, the BBC trialled XHQ (Extra High Quality), a live Internet stream transmitted at a rate of 320kbit/s, instead of Radio 3's usual 192kbit/s, using its AAC-LC 'Coyopa' coding technology. Larry Scutta Posts: 2,359. Repeats of classic drama performances by the likes of John Gielgud and Paul Scofield were also included because, in his view, newer drama was "gloomy and pretentious". [7] The name Radio 3 was adopted on 30 September 1967 when the BBC launched its first pop music station, Radio 1[8]:247 and rebranded its national radio channels as Radio 1, Radio 2 (formerly the Light Programme), Radio 3, and Radio 4 (formerly the Home Service). In the BBC Radio 3 archive, You can search more than 3825 previous programmes, and can listen to them again. In 2006 The Guardian's Martin Kettle attacked Building a Library as 'elitist' for including such composers as Karl Amadeus Hartmann and Elliott Carter and lesser-known works of great composers, at the expense of well-known mainstream works. Television transmission began in 1947 and today, selected concerts are also simulcast on BBC Four. Lively and varied, it was aimed at the 6–12 age group, though much older children and adults also listened. FM radio: Broadcast on 92.5-96.1 and 103.5-104.9 MHz. [30] A similar project occurred six months later when A Bach Christmas was run for ten days in the lead to Christmas[31] and in February 2007 when a week was similarly given over to the works of Tchaikovsky & Stravinsky, and Schubert in March 2012. Listen to BBC Three Counties Radio on FM You can listen to FM on many things - from many mobile phones to almost any radio set. Radio 3 in Concert (originally Live in Concert) is a weeknight programme, broadcast between 7:30 and 10 pm, with recorded concerts from various venues around the country and Europe. The BBC had been allocated three FM frequency ranges in 1955, for the then Light Programme (now BBC Radio 2), Third Programme (now BBC Radio 3) and Home Service (now BBC Radio 4) stations. The Early Music Show presents European music dating up to the time of Bach, broadcast at 2 pm each Sunday. [8]:266 The programme ran for five series and a total of 655 episodes until Munrow's death in May 1976. Bach, Beethoven, Haydn, Mozart and Handel have all featured once most years,[59] a different aspect of their work being chosen for study each time. [43] These particular concerts were introduced by Wright, who became Proms Director in addition to his duties at Radio 3 in October 2007,[44] and many were also televised for broadcast at a later date. BBC Radio 3 is broadcast on the FM band between 90.2 and 92.6 MHz, on DAB Digital Radio, the digital television services Freeview, Freesat, Sky, Virgin Media, TalkTalk TV and Virgin Media Ireland. Sunday - Martin Handley. sports coverage (chiefly on Saturday afternoons) and adult educational programming in the early part of weekday evenings (known as Network Three). This show, presented by poet Ian McMillan, is described as a "cabaret of the word, featuring the best poetry, new writing and performance". From 1998-2015 it became CD Review,[72] with the format remaining largely the same. The stated aim was "to gauge audiences' appetite for music downloads and their preferred content, and will inform the development of the BBC strategy for audio downloads and on demand content". BBC Radio 3 was launched on 29 September 1946. Radio 2. [12] The campaign objected to "the dismantling of the Third Programme by cutting down its spoken word content from fourteen hours a week to six" and "segregating programmes into classes". [8]:268, Hearst attempted to make the content of the channel more accessible to a wider audience, but his efforts, which included the evening drivetime programme Homeward Bound and Sunday phone-in request programme Your Concert Choice (the former an uninterrupted sequence of musical items identified only at the end of the programme; the latter a resurrection from the old Home Service), were criticised. This format came back into effect from 24 December 2020. These concerns also led to the composer Peter Maxwell Davies and the music critic Edward Greenfield to fear that "people would lose the mix of cultural experiences which expanded intellectual horizons". Much of Radio 3's orchestral output is sourced from the BBC's Orchestras and Singers. [73] However, the charge was rebutted by the programme's producer, Mark Lowther, who said that Radio 3 audiences wanted programmes that challenged and inspired.[74]. Presenters on Radio 3 have included Ken Sykora, Steve Race, Peter Clayton, Charles Fox and Geoffrey Smith. 1968. [53] This technology was later developed further, and Radio 3 became the first BBC Radio station to broadcast permanently in this High Definition Sound (as it has been termed) format. Radio 3 programmes can be listened to live on the Radio 3 Website through the RadioPlayer and BBC iPlayer services; the iPlayer also allows Radio 3 programmes to be heard for 30 days after broadcast. Presentation was described as "gruesome in tone and level"[26] and global music output was mocked as "street-smart fusions" and "global pop". "Accordingly, the old Radio 3 frequency, which became 648kHz, was no longer in service for domestic programmes. The show is a national version of the BBC's Euroclassic Notturno. [10], At the time of the review, Radio 3 faced several problems. You can buy DAB Digital Radio receivers at Amazon.co.uk. For other uses, see, UK national newspapers, magazines, and other periodicals, "British Academy of Composers and Songwriters", "Roger Wright, Controller, Radio 3 and Director, BBC Proms", "Sound Matters – Soundtrack for the UK – How did we get here? Choral Evensong forms part of Radio 3's remit on religious programming though non-religious listeners have campaigned for its retention.[57]. Also transferring away from Radio 3 is other factual programming, moving mostly to BBC Radio 4. However, in addition to these studios, certain programmes and performances are broadcast from other BBC bases including from BBC Cymru Wales' Cardiff headquarters and BBC North's headquarters at MediaCityUK, Salford. What frequency is BBC Radio 2 broadcast on? The criticism, especially once the programme went on air a few weeks later, was so unrelenting that Gambaccini announced the following spring that he would not be renewing his contract with Radio 3.[8]:357. BBC Radio 3 online. [54], The Anglican service of sung evening prayer is broadcast every Wednesday at half past three during the Afternoon Concerts block on Radio 3 live from cathedrals, university college chapels and churches throughout the UK. [76][77] Following the Delivering Quality First proposals, it was suggested that Radio 3 share bulletins with Radio 4, so that the same bulletins would be broadcast on both channels. The first controller, Newby, made little contribution to the station, focusing on the transition from the Third programme to Radio 3 and as a result of the Broadcasting in the Seventies report. [8]:231 The programme was renamed Composer of the Week on 18 January 1988. Lower bit rates may be acceptable for the more efficient compression achieved by MP3, where 48 kbps is the equivalent of 64 kbps in MP2. You can find here the BBC Radio 3's schedule one week ahead, and the related important information, like the presenters' name and the teasers of the programmes. 0. An early option to cut costs, required under the proposals, was to reduce the number of networks from four to three, so that Radio 3 would not broadcast during the day and would use the frequencies of either Radio 1 or 2 as the two stations would merge content. However, in addition to these studios, certain programmes and performances are broadcast from other BBC bases including from BBC Cymru Wales' Cardiff headquarters and BBC North's headquarters at MediaCityUK, Salford. However "Day-time serious music would be the casualty" of these proposals and caused some controversy. [8]:304 An example of this is the replacement of Homeward Bound in 1980 with an extended, presenter-driven programme called Mainly for Pleasure. At approximately the same time Aubrey Singer became Managing Director of Radio and began to make programming on the station more populist in a drive to retain listeners in face of possible competition from competitors using a "streamed format". BBC World News on satellite Eutelsat Hot Bird 13º Est Try the new frequency 11075 V. Transponder 12597 V has been duplicated, same channels on 11075 V. Channel Id Satellite Radio 3 was the overall label applied to the collection of services which had until then gone under the umbrella title of the Third Network, namely: All these strands, including the Third Programme, kept their separate identities within Radio 3 until 4 April 1970, when there was a further reorganisation following the introduction of the structural changes which had been outlined the previous year in the BBC document Broadcasting in the Seventies. Furthermore You can sort the previous programmes by title and date. This had been extended to 79 sites by the [55] Its 80th anniversary was celebrated, also live from Westminster Abbey, with a service on 11 October 2006. In October 2007, Radio 3 collaborated with English National Opera in presenting a live video stream of a performance of Carmen, "the first time a UK opera house has offered a complete production online"[35] and in September 2008, Radio 3 launched a filmed series of concerts that was available to watch live and on demand for seven days "in high quality vision". [16], In 1978, Ian McIntyre took over as controller of Radio 3 but quickly faced uncomfortable relationships between departments. [8]:268 Hearst said he responded to the same question about this issue by commenting that as the station was financed by public money it needed to consider the size of its audience – there was a minimum viable figure but this could be increased with "a lively style of broadcasting". [84], In 1995/6 listeners and press critics protested against the introduction into a slot formerly used for Composer of the Week of a programme presented by Paul Gambaccini, a former Radio 1 and Classic FM presenter. These groups are: In addition to the BBC's own orchestras it also has broadcast commitments to the BBC Big Band, which is externally managed, and also broadcasts some works of the Ulster Orchestra, which it part funds.[78]. [59] From 15 December 1964 the programme became a regular feature in the schedule of the newly established daytime "Third Network" classical music service, the Music Programme (later to be absorbed into Radio 3). History. The last broadcast with the Live in Concert name was on 15 July 2015. 92-95 FM, 103-105 FM (with local variations for Scotland, Wales and Northern Ireland) Radio 4 is also available on Long Wave at 198 LW and on Medium Wave in the following locations: Aberdeen - 1449 MW Belfast - 720 MW Carlisle - 1485 MW Cornwall - 756 MW Enniskillen - 774 MW London - 720 MW Londonderry - 720 MW Newcastle - 603 MW Plymouth - 774 MW\, East Midlands - 837 MW West Midlands - 1458/828 MW Derbyshire - 1116 MW (7pm-1am) Peterborough/North Cambridgeshire - 1449 MW, 95.2 FM, 95.6 FM, 96.1 FM, 104.1 FM, 104.2 FM, 756 MW, 837 MW, 1458 MW, 96 FM, 94.8 FM, 95.7 FM, 95.8 FM, 103.4 FM, 104.3 FM, 95.5 FM, 103.9 FM, 104.5 FM, 855 MW, 1557 MW, 95.4 FM, 96 FM, 103.7 FM, 104.4 FM, 1458 MW, 95.5 FM, 103.8 FM, 104.5 FM, 98FM, 90.4FM, 92.1FM, 94.7FM, 95.5 FM, 103.7 FM, 104.3FM, 666 MW, 1260 MW. I would much rather have had the feeling that they thought it mattered what Radio 3 did. 4 April – BBC Radio's sports coverage transfers from Radio 3 to BBC Radio 2 although cricket commentary continues to be broadcast on Radio 3. This would then free up 3 Mhz of spectrum for new music stations plus the transfer of 5 Live onto FM. 6 Music was the first national music radio station to be launched by the BBC in 32 years. BBC Radio 3 says each 12-part series aims to uplift and restore with powerful and emotive music to soothe the soul. However, the programme also covers more 'difficult' or less-widely known composers, with weeks devoted to Rubbra, Medtner, Havergal Brian, Kapralova, and the Minimalists among others. The BBC's involvement with the Proms led to the creation of the BBC Symphony Orchestra and the BBC Wireless Orchestra to perform music. The programme title is a return of Record Review which was broadcast on Network Three occasionally from 1949, then weekly from 1957 presented by John Lade and then from 1981, Paul Vaughan, until 1998. The mix in these proms of classical music to combine with music of a classical nature from the programmes was hoped to introduce a much younger audience to the genres catered for by Radio 3. [8]:249 A further rumour was expressed that Radio 3 could be closed altogether as a strong statistical case existed against the station according to The Guardian. [8]:262–263[57], In 2007 the live broadcast was switched to Sundays, which again caused protests. Several groups were formed to protest against any changes to the station. [18] He also introduced features and celebrations of the anniversaries of famous figures including William Glock, Michael Tippett and Isaiah Berlin. On some radio sets it’s marked UKW or VHF. 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