The starkness of the lighting, the unrelenting sound score, the insistent rhythms of the voiceover all evoke the horror of a man trapped inside his head. In Betroffenheit, theatre artist Jonathon Young does it in a spectacularly visual way in front of a live audience.. By the time the curtain rises on the second act, we have come to the bottom of grief, to the place of confrontation and reconnection, to the place where it is necessary to ask: is there anything left here to find? Creator of more than 40 works in just over two decades, she is in huge demand internationally; and the most prestigious dance companies in the world, including Britain’s Royal Ballet and the Paris Opera Ballet, have recently joined the growing procession of those commissioning her work. Betroffenheit explores the psychological struggle of trauma and grief. Photograph: Michael Slobodian . As the salsa and tap-dancing demons of Young’s addiction, they are trashy, camp and sinister, and the macabre energy they bring to the stage perfectly portrays the seductiveness of the drug trip or the alcoholic binge. The brilliance of this work lies in its refusal to offer any easy insights or promise of redemption. The Tempest Replica. Wed 1 … This sensitive performance capture was directed for the screen by Jeff Tudor, Betroffenheit is a German word meaning trauma, being in shock, consternation. Photograph: Michael Slobodian . Simply to write the words is to flinch from the awfulness of the event. Inherent in Betroffenheit’s aesthetic is the idea of working through trauma as labour, as a mechanical process involving rigid structure and repetition, systematic deconstruction and reconstruction. Written by Young and choreographed by Crystal Pite, the result is a genre-defying piece of dance theatre that has stunned critics and audiences worldwide. In short: trauma is complicated. Le résultat : un spectacle sous haute tension qui part de la sphère intime et personnelle pour finalement nous parler d’un monde en état de choc. Côté théâtre, l’acteur et dramaturge Jonathon Young, fondateur d’Electric Company Theatre. There is the voice that urges him to relive the accident and find some saving epiphany from its tragedy, the one that urges him to leave the room and get on with his life, and the voices that urge him towards the numbing, addictive pleasure of drugs. But another reminds him that something precious does remain there – the dead – and that if he quits the room, he leaves them too. Betroffenheit réunit deux compagnies majeures du Canada. Crystal Pite and Jonathon Young — Betroffenheit Tickets ... Betroffenheit Archives - Spannungsfelder der Sozialen Arbeit: Betroffenheit und Professionalität – #nahunddistanziert. Such international exposure speaks to the solid reputations of Betroffenheit’s Canadian co-creators, choreographer Crystal Pite and actor/playwright Jonathon Young. Crystal Pite CM (born December 15, 1970) is a Canadian choreographer and dancer.She began her professional dance career in 1988 at Ballet BC and in 1996 she joined Ballett Frankfurt under the tutelage of William Forsythe.After leaving Ballett Frankfurt she became the resident choreographer of Montreal company Les Ballets Jazz de Montreal from 2001 to 2004. The dancers are astoundingly good – versatile and virtuosic – and the entire production is eerily surefooted in the handling of its darkly intractable material. Betroffenheit Full Movie. Crystal Pite and Jonathon Young’s Betroffenheit explores the depths of grief and trauma. The show opens on a stage set to resemble a disused warehouse or industrial space, with an enormous steel pillar bisecting the room. What thought patterns help you manage the unthinkable? Following the award-winning Polaris (Thomas Ades: see the music, hear the dance), this piece from Sadler's Wells Assocate Artist Crystal Pite cements her place as one of the most inventive choreogr Buy Betroffenheit tickets showing at The Sadler's Wells, London. Pite founded her dance theatre company Kidd Pivot in 2002. What do you say to yourself to process what’s happened? Judith Mackrell @judithmackrell. How do you come to terms with unspeakable tragedy? Tiffany Tregarthen in particular stands out as a most versatile and expressive performer, inhabiting a spidery, almost demonic presence in one moment and delivering an emotional crisis with pathos and sensitivity in another. Yet the actor and playwright has collaborated with choreographer Crystal Pite to create a two-hour piece of dance theatre, which addresses the experience of human suffering with raw and heroic brilliance. These are the questions at the heart of Betroffenheit, the contemporary dance and theatre fusion created by the renowned Canadian choreographer Crystal Pite and writer and performer Jonathan Young. It is a quiet statement of fact and in its quietness lies the force of tragedy. Epic, engrossing and visually arresting, Betroffenheit touches on themes of loss, addiction and recovery. Pite’s special genius is in choreographing the body language of emotion in the distorted, lifting, folding shapes of her dancers’ bodies. Betroffenheit. The voices follow a pattern throughout the show, repeating variations on the same dialogue, which resembles both the discussion between therapist and patient, but also the internal processes of a grieving mind, as it grapples with the need for functioning mental architecture while struggling to confront the emptiness of profound loss. We all deal with grief in different ways. The figure in the corner is Young, who performs the protagonist role directly inspired by his own grief. It was also her first time working with a playwright. FULL DETAILS. Plot Summary | Add Synopsis Crystal Pite and Jonathon Young’s Betroffenheit at Sadlers Wells, London. Betroffenheit is a German word that evokes the physical and emotional stasis of shock, and while Young’s text moves far beyond the specifics of his own story, his role in the work is that of a man traumatised by some terrible accident. Attention Crystal Pite fans --- London's Royal Opera House will be streaming Pite's work 'Flight Pattern', beginning Fri.Nov.6th (at 7pm GMT) ... Kidd Pivot's 'Betroffenheit' will be streamed online Fri.June 26th at 8pm (KST) and available to watch for the following 24 hours. Betroffenheit, produced by Canadian companies Kidd Pivot and Electric Company Theatre, debuted at Perth festival on 23 February and will be showing at Adelaide festival on 3 and 4 March, Stephanie Convery was a guest of Perth festival, Inua Ellams: The word 'immigrant' is used to make people fear the unknown, Perth festival opens with an exquisite million-dollar spectacle – and an urgent warning. The show’s programme points to a tragedy that was the basis for this piece, written by Young and co-created with Vancouver choreographer, Crystal Pite. In this thesis, I examine Vancouver-based, Canadian choreographer and dancer Crystal Pite’s artistic approach as a dance theatre artist with a focus on her multi-award winner work Betroffenheit (2015). Now Betroffenheit comes to Los Angeles’ The Broad Stage this week to much advance fanfare. Crystal Pite and Jonathon Young’s Betroffenheit explores the depths of grief and trauma. Macabre energy … Crystal Pite and Jonathon Young’s Betroffenheit at Sadlers Wells, London. Betroffenheit. It is the practice of therapy but also the performance of survival – a performance that is necessary if only to convince the performer that survival is itself possible. For Jonathan Young, who lost three young family members in a fire, one answer is through movement, Last modified on Thu 26 Mar 2020 12.35 GMT. Olivier Award-winning Crystal Pite and pioneering playwright/performer Jonathon Young join creative forces in this unforgettable hybrid of theatre and dance. But the second half of the work, in which Young exits the room for an open stage, is dominated by a section of pure dance whose imagery seems to stage the cathartic process of Young’s recuperation. 280 minutes, no intermission Created by: Crystal Pite Premiered on … Betroffenheit, written and performed by Jonathon Young and directed and choreographed by Crystal Pite, has its official world premiere at Canadian Stage on Thursday. It comes as a shock to realise these cables are moving, slithering snake-like across the floor and climbing the walls of their own accord. As the other dancers appear – in clown make-up, in spangly showgirl outfits, in smoke-coloured tracksuits – they embody the voices of the protagonist’s consciousness, pushing and pulling him through the trauma, the shut-down, the failed attempts at coping (addiction, denial) in mesmerising sequences of growing intensity: tap-dancing, mocking, questioning, at times literally holding him up. Mon 27 Feb 2017 23.49 EST. 120 minutes, including intermission A Kidd Pivot, Electric Company Theatre co-production Created by: Crystal Pite and Jonathon Young Premiered on July 23, 2015 at Bluma Appel Theatre, Toronto, Canada Written by: Jonathon Young Choreographed and Directed by: Crystal Pite. Thick cables attached to fuse boxes lie tangled beside the pillar. That horror is exaggerated and alleviated by the five dancers who periodically gatecrash the room. As Young returns centre-stage, one of the voices assures him that the accident is in the past and that there is nothing left for him in the room. In 2009, Jonathon Young’s teenage daughter died with two of her cousins in a fire in a holiday cabin. This genuinely disturbing beginning sets a high bar for the two-act production – one that it frequently surpasses. It’s apt that these questions run deep through a work that was created jointly by an actor, Jonathon Young, and a choreographer, Crystal Pite. But these are small quibbles. Young’s performance, choreographed by Pite, is searingly physical as he flips between a wracked, gaping state of nightmare to an ironic, unreal calm. At times the stagecraft feels a little kitschy and obvious – it is difficult to make creepy-circus references feel fresh – and the performers switching from mic to mime is not always seamless and occasionally falls flat. Yet while those very specific circumstances form the basis of the piece, they are not its focus: what Betroffenheit seeks to explore instead is the internal process that follows after the event itself – the “coming to terms”. Betroffenheit to be broadcast on BBC4 First Published 5 May 2017, Last Updated 5 May 2017 Following sold out performances at Sadler’s Wells last month, the critically acclaimed Betroffenheit, created by Crystal Pite and theatre maker Jonathon Young will … Stephanie Convery @gingerandhoney. Art and the City: During the coronavirus pandemic, local ... Betroffenheit review – trauma and grief shape a startling ... 2018–19 Season Preview: The Year's Hottest Dance Tickets ... Betroffenheit from Sadler's Wells (2017) - Trakt.tv . In the sharply specific rhythms of trauma and comfort we can read whole narratives of suffering and recovery. Betroffenheit – a word which means a state of shock, trauma, and bewilderment – began with co-creator Jonathan Young’s own experience of trauma and grief, after his daughter, niece and nephew died in a cabin fire while the family was on holiday in 2009. Lights begin to flash, accompanied by questioning voices, and in the corner a figure appears, curled up on itself. Crystal Pite - IMDb. “It does feel like it’s taken on a life of its own,” Pite observes of Betroffenheit.. “Every time we go back to it we discover new things. 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