El placer del movimiento. 2019. Some scholars have suggested a tension between Erich Fromm’s work as a scholar or psychoanalyst and his work as outspoken advocate of social change. As female anthropologists, Hurston and Dunham were alert not only to the specific vulnerabilities of women under the United States occupation of Haiti (1915-34), but to endemic forms of gendered violence in Haitian society that male commentators eager to use Haitian independence as a positive example of the black peoples’ capacity for self- government had tended to downplay, from the patriarchal structures constraining the life choices of Haitian women to more violent forms of oppression and exploitation. When choreographers develop... Each generation of choreographers and movement innovators ventures beyond the developments of their predecessors in order to create new movement techniques and vocabulary that address the concerns of the times. Pittsburgh Courier Washington Bureau, 1946-1968 , 13 linear feet The collection documents the relationship between the Washington branch and the main office of Clifford Fears, the director of that dance school, was a former member of her troupe. Katherine Dunham's relationship with Southern Illinois University (SIU) began July 23, 1964, when she was invited by the Vice President for Instruction, Charles D. Tenney, to spend an 11-week period as artist-in-residence. Johnson’sE Kaiso! Ongoing blog for the project Dunham's Data: Katherine Dunham and Digital Methods for Dance Historical Inquiry. This article assesses the African American dancer and intellectual Katherine Dunham’s vision and legacy for a performative history of the Black Atlantic by examining two of her early choreographic works, L’Agya and Little Black Sambo. In the early 1940s, Katherine Dunham engaged the future experimental film-maker Maya Deren to act as her secretary. El propósito es vincular la perspectiva teórica-práctica de Katherine Dunham con las expresiones dancísticas en la Argentina, con el fin de mostrar que los danzantes populares entienden el baile como articulación de placer, sensualidad, sexualidad y dramatización de la vida social. This dissertation analyzes the intellectual and political contributions of choreographer Katherine Dunham … Through close analysis of primary and secondary source material related to Katherine Dunham’s Tango (1954), this article examines the protest message of this dance work within the political and social context of the time. That work began with ethnographic work in the Caribbean in 1936. The Life and Times of Katherine Dunham (1910-) At the time of Dunham's birth: William H. Taft was president of the United States; National Urban League was founded Creative processes in contemporary dance, " Concerned Knowledge ": Erich Fromm on Theory and Practice (Forthcoming with Some Edits in Progressive Psychoanalysis: Essays on Psychoanalysis as a Social Justice Movement, Ed. This paper examines the practices and legacies of Katherine Dunham and nora chipaumire to reveal a current and ongoing artistic movement that aims to decentralize European foundations in development of a new movement aesthetic. El propósito es vincular la perspectiva... Esta investigación hace hincapié en la articulación dancística y en los elementos culturales amerindios y africanos que subrayan las dinámicas amefricanas dentro de la sociedad actual. Courtesy of the Missouri Historical Society, St. Louis. In consideration of the factors of time and social climate, instead of comparing these efforts it is more useful to see them as part of an ongoing endeavor to centralize the movement of Africa and the African diaspora in global dance. When choreographers develop new movement vocabularies based on ballet or modern techniques (which could arguably be considered traditional Western dance forms) they are often heralded for their ingenuity. Katherine Dunham Papers, Special Collections Research Center, Southern Illinois University, Carbondale. A Life in Dance & The Katherine Dunham Legacy Project. www.sarpress.org COPYRIGHTED MATERIAL. She still lives and teaches in East St. Louis, Illinois, and has begun work on another autobiography. Katherine Dunham, was mounted at the Women's Center on the campus. Although one of the most important artists (and scholars) of her time, she remains largely unknown outside Dance and African-American studies. Historical Context. Fromm’s “prophetic” side is often incorrectly contrasted with his scholarly or “scientific” work. Dunham has diabetes and arthritis and uses a wheelchair. Growing up Katherine Dunham never thought about dance. Katherine Dunham is perhaps most famous for her influence on modern American dance with the introduction of African and Caribbean dance movement. Katherine Dunham, “The Dunham Schools,” an unpublished paper, dated 1964, in the Katherine Mary Dunham Papers, Special Collections, Morris Library, Southern Illinois University at Carbondale. Looking further into the archives, we turn to a paradigm of friction and flexibility in order to elaborate the many factors that shaped Dunham’s touring pathways, as well as the ways that Dunham’s bodily wellbeing haunts her relentless momentum. published in: Modernities and Modernization in North America. In the early 1940s, Katherine Dunham engaged the future experimental film-maker Maya Deren to act as her secretary. Katherine Dunham (1909-2006) was an American dancer, choreographer, teacher, dance anthropologist, and writer. The Katherine Dunham papers consists of correspondence, writings, scripts, notes on dance techniques, and musical scores with the bulk of the collection consisting of personal correspondence. The Travel 1954 - 1955. Through close analysis of primary and secondary source material related to Katherine Dunham’s Tango (1954), this article examines the protest message of this dance work within the political and social context of the time. Articles describing the significance of Katherine Dunhams works, her legacy, and the mission of the Foundation, which was established in 1996 whos goal is to improve the quality of people's lives by nurturing the arts. Middle Passage, Atlantic World Slavery, African Diaspora, Slavery and Medicine, Black Women's History, Violence Studies, Caribbean History, “Berenson and Katherine Dunham: Black American Dance,” in Bernard Berenson: Formation and Heritage, ed. In Rite de Passage, Katherine Dunham Dance Company, 1943, Ruth Beckford Papers, AAMLO Like the Ballet Russe de Monte Carlo, Katherine Dunham would give impromptu auditions while on tour. This is an edited version of the essay published by the Netherlands Association for Gender Studies and Feminist Anthropology in LOVA Journal Issue #36 (February 2016). Katherine Dunham travelled the world for decades as a choreographer, dancer, teacher, scholar, writer, and activist. At the same time, each individual case provides a unique opportunity to interrogate event-based archivy and speak to a need for shifts or adaptations in archival theory and practice that better support documenting and safeguarding performance as a means of cultural expression. She still lives and teaches in East St. Louis, Illinois, and has begun work on another autobiography. The article argues that, contrary to existing interpretations of the work, Tango articulated with the cultural policies promoted by Perón’s government, rather than working as a protest performance against it. The resulting imaginative and kinetic expressions that conflate colonial and postcolonial temporalities enable me to posit the limits and possibilities of “trans(post)colonial collaborations” within Dunham’s repertoire as well as for the horizon of the present. Generations later Zimbabwe-born U.S.-based choreographer nora chipaumire is waging her own movement rebellion in concert dance, taking Dunham’s quest a step further. ArhivEra includes detailed finding aids of … Katherine Dunhams infusion of Caribbean dance style in her work. Indeed Dunham’s steps, as bold as they were, may seem muted compared to chipaumire’s steps today. Printed with permission in Kaiso: Writings by and about Katherine Dunham, edited by VéVé Clark and Sara E. Johnson,University of Wisconsin Press, 2005. nora chipaumire has been empowered to create her Afrocentric Nhaka technique because of Dunham’s groundbreaking work fusing African-derived dance with ballet and modern technique. Katherine Dunham in the ballet "L'Ag'Ya", which premiered in 1938. Writings by and about Katherine Dunham (˜˚˚), which is a much-enlarged second edition of Kaiso! Katherine Dunham Free Essay, Term Paper and Book Report The contribution of Katherine Dunham and Alvin Ailey to modern dance Katherine Dunham's background and work Katherine Dunham created one of the most popular American dance companies ever, and she was a pioneer in exploring the African American cultural heritage. Katherine Dunham Katherine Dunham was born June 22, 1909, in Glen Ellyn, Illinois, in DuPage County, and died May 21, 2006 in New York City. Katherine Dunham's first full-length ballet debuted at the Federal Theater in Chicago on 27 January 1938. 1906-2009. The engaged scholarship of Fromm’s friend Katherine Dunham, the African American dance anthropologist, choreographer, and activist, also demonstrates the ways in which the scholar can move from the outside to the inside of a subject in order to gain more knowledge. Our critical mixed methods approach scales up from a manually curated itinerary of Dunham’s daily locations over four years (1950-53), to the politics of the everyday they cumulatively reveal. With an eye toward archival theory and practice, as well as an understanding of “the archive” grounded in performance studies, the cases discussed in this paper are: the Live Performance Simulation System’s Virtual Vaudeville prototype; The Katherine Dunham Archives and the Dunham Technique; and the implementation of the United Nations Scientific, Educational and Cultural Organization (UNESCO)’s 2003 Convention for the Safeguarding of the Intangible Cultural Heritage. xiii Introduction Elizabeth Chin Anthropologists, by the nature of our work, tend to live rather extraor - Ruth Mayer and Ilka Brasch. At that time, ritual was generally understood, within artistic and scholarly communities in Europe and the US, as a survival or retention from a more primitive stage of human development. Courtesy of the Missouri Historical Society, St. Louis. Joseph Connors and Louis A. Waldman, Florence and Cambridge MA: Villa I Tatti with Harvard University Press, 2014, pp. Historical Context. 1910–2006. 363-91, Master of the Wood: Moral Authority and Political Imaginaries in Haiti, Katherine Dunham and Maya Deren on ritual, modernity, and the African Diaspora, Divine Horsemen: The Living Gods of Haiti. Far from being blinded by his activist commitment to socialist humanism as his “scientific” critics claim, Fromm was fully aware of the synthesis he was forging. This paper examines the practices and legacies of Katherine Dunham and nora chipaumire to reveal a current and ongoing artistic movement that aims to decentralize European foundations in development of a new movement aesthetic. Cuerpos y danzas populares amefricanos en Argentina, Antropologia del cuerpo, la danza y la performance, Katherine Dunham's Global Method and the Embodied Politics of Dance's Everyday, [VERBETE] Katherine Dunham - Le Dictionnaire universel des Créatrices, Dance and Embodied Knowledge in Katherine Dunham's Island Possessed. The Dunham school in New York is renamed to the "Katherine Dunham school of Cultural Arts". In 1978, an anthology of writings by and about her, also entitled Kaiso! Katherine Dunham in the ballet "L'Ag'Ya", which premiered in 1938. The papers lend insight into the popularization of African-American dance in the twentieth century, a process in which Flowers and her contemporary, Katherine Dunham, played a significant role. Katherine Dunham, was published in a limited, numbered edition of 130 copies by the Institute for the Study of Social Change. According to Fromm, the pursuit of knowledge should be “concerned” and “interested,” and the thinker (like the psychoanalyst and patient) must be open to being transformed by ideas at a deep level, able to move fluidly from knowledge of ideas to action upon them. On this front, I argue, their work anticipates the trend in recent scholarship to position the U.S. South or sectors thereof as part of the ‘Global South’ and/or as culturally circum-Caribbean, and can aid us to appreciate the limits of current critical paradigms for thinking about gendered violence in a more fully globalized world. While The Katherine Dunham Dance Company was on tour, Deren helped Dunham write up the findings from her anthropological fieldwork in Haiti and other parts of the Caribbean in the mid 1930s. Katherine Dunham was born on June 22, 1909 in Glen Ellyn, Illinois. This is an edited version of the essay published by the Netherlands Association for Gender Studies and Feminist Anthropology in LOVA Journal Issue #36 (February 2016). The Life and Times of Katherine Dunham (1910-) At the time of Dunham's birth: William H. Taft was president of the United States; National Urban League was founded The Dunham files include a six-page incomplete letter that Williams wrote about Dunham; a carbon copy of Dunham's 1938 master's thesis on Haitian dance; and a prospectus for the Institute for Caribbean Research, a project of the Katherine Dunham School of Arts and Research. Southern Illinois University Library: Katherine Dunham Papers, 1919-1968 Special Collections Research Center (Carbondale, Illinois) University of Illinois at Urbana-Champaign, Katherine Dunham Centers for Arts and Humanities: Katherine Dunham Biography (1909-2006) : with photographs and links to information about programs. The correspondence of Katherine Dunham with Bernard Berenson during the last decade of his life (1949-59) illuminates a loving friendship as well as their brief break over her ballet about lynching, Southland. Aschenbrenner, Katherine Dunham: Dancing a Life (˜˚˚˜), and the comprehensive collection of materials in Vèvè . The papers were from a ship called the "Nancy"­ to Fitton that meant it was perhaps a recent prize captured in the same Caribbean waters. Purchase, 2015 Citation [after identification of item(s)], Katherine Dunham collection, Stuart A. Esta investigación hace hincapié en la articulación dancística y en los elementos culturales amerindios y africanos que subrayan las dinámicas amefricanas dentro de la sociedad actual. ... Paper Orientation . Katherine Dunham papers. These three cases, considered collectively, shed light on the perceived boundaries between archive and repertoire, allowing for a robust discussion of how contemporary archives can best support the documentation and preservation of performance as intangible cultural heritage. Heidelberg: Winter. Paper Size Magnification . Othella Dallas, who was one of the last surviving early members of the Katherine Dunham Dance Company, the nation’s first self-supporting Black … It also retains preservation copies of campus bulletins and historical directories, yearbooks including the Obelisk, student dissertations, theses, and research papers, and publications of Southern Illinois University Press. Dancer, anthropologist, social worker, activist, author. Katherine Dunham. [ GLEN ELLYN, CHICAGO 1909 – NEW YORK 2006 ]. Points of comparison include their treatment of Haitian "voodoo" and the figure of the zombie; the paper also gives attention to the rivalry between Hurston and Dunham as ironically 'imperialist.'. Through the emotional relationships between Africa, “Africa,” and African diasporic expressive life that emerge, I excavate a hidden his- tory for the modern subject as formed through not only the displacements generated by colonialism and slavery, but also unexpected new regimes of pleasure that were their historical consequences. To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to upgrade your browser. Analyzing transnational travel patterns of stays and returns can rebalance the geography of Dunham scholarship, including revealing the centrality of nightclub and other non-concert performances to sustaining the company over time. Some scholars have suggested a tension between Erich Fromm’s work as a scholar or psychoanalyst and his work as outspoken advocate of social change. Open Court Publishing Company Records. She has spent more than a decade developing a unique physical language and technique that serves her specific expressive needs without relying on ballet or modern dance. African and African Diaspora Dance, Culture and History. Selections from the Katherine Dunham Collection. Having attended a junior college in Joliet, Illinois, Katherine Dunham follows her brother Albert … Ed. Her older brother, Albert Dunham Jr., invited her to join the Cube Theatre. Bounded by and framed within the question of the role of contemporary archives in preserving performed expressions of cultural heritage, this paper investigates the ways performance and intangible cultural heritage are fixed and... Bounded by and framed within the question of the role of contemporary archives in preserving performed expressions of cultural heritage, this paper investigates the ways performance and intangible cultural heritage are fixed and represented in archives; offers new ways of thinking about the points where archives and intangible cultural heritage intersect; and analyzes three distinct efforts to safeguard performative practices. Katherine Dunham Research Paper; Katherine Dunham Research Paper. It argues that each used their experiences of voodoo to define a modern approach to spirituality that was grounded in an Africanist approach to the dancing body that was very different from the idea of disembodied transcendence which runs through the European philosophical tradition. Academia.edu no longer supports Internet Explorer. In 1946 Deren wrote about the importance of ritual in her films, two of which had been made with dancers who had been members of Dunham’s company, and the following year she made her first visit to Haiti to study and film voodoo rituals that had been the subject of Miss Dunham’s research. 6 Pages 1509 Words Katherine Dunham is known as of the most influential African American individuals, when it come down to the art of African Dance. Senator Paul Simon Papers. Films made during her research have been put online by the Music Division of the Library of Congress in Selections from the […] L'Ag'Ya. 1928-2003. Fromm’s union of theory and practice is also connected to the work of other philosophers who see the union of theory and practice as essential to understanding reality as a mystical totality. Choreographing a New World: Katherine Dunham and the Politics of Dance. The article focuses first on Dunham’s understanding of the Argentine populist political movement known as Peronism, and secondly on the Argentine reception of the piece’s protest against Juan Domingo Perón’s government. Focusing on the bodies in the data from a perspective that combines dance studies with digital humanities points to the ways digital methods can evidence and elaborate bodily experience on- and offstage. Katherine Dunham's long and remarkable life spanned the fields of anthropology, dance, theater, and inner city social work.As an anthropologist, Dunham studied and lived among the peoples of Haiti and other Caribbean islands; as a dancer and choreographer she combined "primitive" Caribbean dances … Turning to a period when the decolonization movements which produced today’s ‘Global South’ were gaining momentum, this paper examines representations of gendered violence in the Caribbean in the work of Zora Neale Hurston and Katherine Dunham–two African American anthropologists who visited Haiti and Accompong, Jamaica in the mid-1930s. Introduction. In fact, Fromm argued against interlocking false dichotomies between theory and practice, science and values, and reason and emotion. 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